Barbara J. Taylor
Barbara J. Taylor lives in Scranton, Pennsylvania, home of the second-largest St.Patrick’s Day parade in the country. She has an MFA in creative writing from Wilkes University and teaches English in the Pocono Mountain School District. All Waiting Is Long is the sequel to her debut novel, Sing in the Morning, Cry at Night, named a “Best Book of Summer 2014” by Publishers Weekly.
Sing in the Morning, Cry at Night
Almost everyone in town blames eight-year-old Violet Morgan for the death of her nine-year-old sister, Daisy. Sing in the Morning, Cry at Night opens on September 4, 1913, two months after the Fourth of July tragedy. Owen, the girls' father, "turns to drink" and abandons his family. Their mother Grace falls victim to the seductive powers of Grief, an imagined figure who has seduced her off-and-on since childhood. Violet forms an unlikely friendship with Stanley Adamski, a motherless outcast who works in the mines as a breaker boy. During an unexpected blizzard, Grace goes into premature labor at home and is forced to rely on Violet, while Owen is "off being saved" at a Billy Sunday Revival. Inspired by a haunting family story,Sing in the Morning, Cry at Night blends real life incidents with fiction to show how grace can be found in the midst of tragedy.
All Waiting is Long
All Waiting Is Long tells the stories of the Morgan sisters, a study in contrasts. In 1930, twenty-five-year-old Violet travels with her sixteen-year-old sister Lily from Scranton, Pennsylvania, to the Good Shepherd Infant Asylum in Philadelphia, so Lily can deliver her illegitimate child in secret. In doing so, Violet jeopardizes her engagement to her longtime sweetheart, Stanley Adamski. Meanwhile, Mother Mary Joseph, who runs the Good Shepherd, has no idea the asylum's physician, Dr. Peters, is involved in eugenics and experimenting on the girls with various sterilization techniques.
Five years later, Lily and Violet are back home in Scranton, one married, one about to be, each finding her own way in a place where a woman's worth is tied to her virtue. Against the backdrop of the sweeping eugenics movement and rogue coal mine strikes, the Morgan sisters must choose between duty and desire. Either way, they risk losing their marriages and each other.